A notícia foi escrita no melhor "academiquês", e foi reproduzida, como se fosse a mais pura verdade, por um monte de outros blogs sobre música.
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Recent Advances in the Study of Sound Wave Interference in Sexual Behavior
According to recent studies by the Acoustics Department at the University of Seil, in Munchaus, Germany, the sound waves produced by a flute can naturally and inherently create an effect that had not been identified until now. This singular effect can be described in simple language as an enhancement of the psycho-physiological capacity for long-term sexual intercourse, through the expansion of both feminine and masculine resilience.
According to the Chilean specialist in Human Sexuality, Dr. Raila Maios, who has been researching on the short-range influence of wind instrument sound waves on sexual responses, this extraordinary effect has been known since antiquity, and it is no mere coincidence that the mythological god Pan, a satyr, played the flute. That is also the reason why this instrument has long been associated with sexual potency in all human cultures. For the appropriate testing of her theory Dr. Maios has created a resonance chamber, which amplifies sound modules to demonstrate how audio, when appropriately applied, enhances the usability and functionality of an application.
Since physics essentially describes and quantifies the dynamic nature of elements around us, a physics experimental system should somehow capture the dynamics of physics. The sound module of the Seil Physics Education Laboratory relies heavily on voluntary flutists to achieve this goal. The intent is to continually remind the scientists that physics concepts represent live, active entities in the real world. Furthermore, six topic areas have already been effectively identified as primary to explain the sequence of elements that cause the phenomena: sound wave length, speed of sound, displacement and pressure variations in sound waves, sound intensity and decibel levels, and Doppler effect applied to sound.
One objective of the sound wave module is to supply as much user interaction as possible. It is the belief of this specialist that research is best served when musicians are allowed to explore and experiment with concepts rather than having them consume information in a dry, static manner. For example, if a physics law is presented, the researcher and his subject should be free to test the variables or parameters of the physics law to observe how the variables affect the results. Furthermore, demonstrations should also resemble or reflect real-world situations to orient the scientists in the context of a familiar or intuitive setting.
Dr. Xaoh Meti, Dr. Maios' assistant, declared that the only problem with this revolutionary idea has been that the musicians invited to take part in the experiment don´t want to leave the chamber, where they play Gluck's Dance of the Blessed Spirits uninterruptedly and only made insignificant rests in order to wait for the physical orgasmic spasms to subside.
(Quoted from the International Refereed Journal of the International Institute of Acoustics and Vibration -- IIAV)
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